Last year’s conference was both inspired and inspiring as we welcomed guest instructor Annie Woodford, author of the award-winning collection, Where You Come From is Gone.
Now we’re preparing for a new conference for 2025. This year we’ll be hosting the one and only Robert Gipe, artist and author of Trampoline, Weedeater, and Pop.
So save the date for July 14-18, because we’ll be back at the Selu Conservancy for a five-day celebration of creativity, art, and Appalachia.
Below is a sneak peak of the flyers we’re bringing to the Appalachian Studies Association Conference. If you’re going to be in Cookeville for the conference, come check our session about the present and future of Appalachian Studies at Radford University.
Now accepting a limited number of participants for the 2024 Highland Summer Conference! This writing workshop has more than 40+ years of history with Radford University, bringing together writers, students, musicians, and community members from the Appalachian region in celebration of creativity.
Original Highland Summer Conference logo by Dell Siler, 1986.
Work with Our Guest Author
The 2024 conference features guest Annie Woodford, winner of the 2022 Weatherford Award in Poetry for her collection, Where You Come from Is Gone. Annie Woodford will lead our daily workshops.
July 8-12, Monday-Friday, at Selu Conservancy
The conference begins on Monday, July 8, at Selu Nature Conservancy. This beautiful jewel of southwest Virginia features magnificent views of the mountains and river. Enjoy the conservancy’s walking trails, and find that perfect, private place to bring your creative dreams to life.
After a beautiful day of workshops and free time, you’ll be able to enjoy our evening programs, which are free and open to the public:
Tuesday, 7 p.m.: Reading by guest author Annie Woodford, McConnell Library at Radford University (Note: new location!)
Wednesday, 7 p.m.: Jam session at Selu Conservancy
Thursday, 7 p.m.: Participant Readings at Selu Conservancy
Yes, I want to create amazing work this summer!
To register, check out our page here or use the QR below. Registration is only $150 for the entire event, July 8-12, which includes the option to camp at Selu or stay onsite free. Discounts are available for seniors and Radford University students. For more information, write us at hwc@radford.edu.
The autumn leaves turned late this year, and some of them are still hanging on in their red and gold glory. Before they’re entirely gone, I wanted to share a favorite exuberant poem and a new writing exercise.
“I say” is a love letter to autumn and color and jazz, from B. Chelsea Adams, the author celebrated in this page’s first “Spotlight.” The poem, used with her permission, is from her Finishing Line chapbook, At Last Light.
I say
. . . yes to autumn its intense colors deep bronzes, oranges, and golds.
An adult season, which has known clouds, been blinded by sun, frozen ice solid, caressed by a tender wind.
An adult season, where the shameless red maple, alluring and vibrant, shatters the late afternoon.
I want it to keep on— its deep color a warm thrust in my belly, a sensual brush across my lips,
like jazz, the drum thumping in my chest, the pulsating strings of the bass, the truth told by the alto sax,
a truth that disturbs the sleep of dried leaves.
B. Chelsea Adams, 2012
Saying Yes: A Writing Prompt
When I heard Chelsea read “I say” aloud, I was struck by the love in her poem and the warmth in her voice. It hit me that I had been inundated with messages of rage, sorrow, grief . . .
There is a time for all of those things. But there’s also a time to say “yes.” To celebrate what we love, what thrills us, what we find so beautiful it hurts the heart. That week I went into my Poetry Writing class with a new exercise, one both simple and open-ended.
Ready? Write the words, “I say yes to . . .”
Now finish the sentence.
Go for the specific and the sensory. Try to dig deeper than just a list. (But I love lists myself!) Dig deep into all the rich, wonderful details about what you love. As you write, relish that love. Make it as real and vivid as you can, Just live in that exuberance for a while.
A working writer can’t wait for inspiration. The stereotype of a writer sitting with pen in hand, eyes rolled heavenward while waiting for “The Muse” to descend, bears little resemblance to reality. Waiting for inspiration just leads to blank pages and frustration.
Can’t you see she’s already busy? (Clio, Muse of History, by Johannes Moreelse)
Just ask Jack London, who advised writers, “Don’t loaf and invite inspiration; light out after it with a club, and if you don’t get it you will nonetheless get something that looks remarkably like it.”
Rather than wait for divine inspiration, we keep our clubs at the ready. We have hundreds of books with writing prompts and exercises. Take Holly Lisle’s frankly-named book Mugging the Muse: Writing Fiction for Love AND Money.
Below is an old poem I wrote about a violent Muse encounter. It still makes me smile. (No writers or Muses were actually harmed in the writing of this poem.)
Why I Don’t Walk So Good Anymore: The Minor Regional Writer Tells All
Well, I was writing. And the words were coming fast as a cat with its tail on fire, big as life, bright as spring, thick as Jesus’s great big gobs of sweat when he talked to God in the garden.
Then I saw Her, standing at my chair, her hand all chummy on my shoulder, and felt her carbon-sweet breath at my ear. She had big yellow wings and a long white robe under a flannel shirt with cowboy boots poking silver tips out under the hem.
I knew I’d found my muse.
She smiled, caught in the act, and rose those big gold wings fanned out for takeoff. I knew she’d be gone, lickety-split, so I caught her by the wrist. Ever wonder why nobody grabs onto a muse? Well, I saw that left hook coming and reckoned I’d figured it out.
The rest of the night is hazy. I reached for her neck; she reached for mine. Her wings swept my shelves clean when I tackled her to the floor. Feathers flew like a live duck in a blender. She hissed and squawked and swore I’d never write again, but her hand smacked my thigh instead of my arm, and numbness seeped through to the bone.
I held on. She shook me like a spider on a wet rag. I dug in my nails until her ink-blood rose. We grappled through grit and grime and fist-sized dustballs, until I got her. I got the Muse by the throat, got my hands on the pulse of Art itself, and I began to squeeze.
That’s when she brained me with my Bill Shakespeare lunchbox.
And I saw galaxies and whirlwinds and those dustballs spinning loops in the cosmos and about three or four of Her ascending into a blaze of glory and little singing birdies.
When I came to, my lunchbox was busted. But I haven’t stopped writing since.
Revised from publication in The Ampersand, Spring 1996.
Writing Prompt: Your Own Inspired Encounter
What would your Muse(s) look like? Try to imagine them as they would appear to you. What are they wearing? What do they smell like? Do they speak, sing, nod along with your work? Have some fun with this one!
Hey, hey, the gang’s all here . . . Nine Muses on a Roman sarcophagus.
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