On March 31, I gave a presentation for Radford University’s celebration of Women’s History Month. I love this annual tradition, and every year I try to contribute something about women and creative writing. This year’s theme was “Leading the Change: Women Shaping a Sustainable Future,” and I realized that theme was a perfect fit for author Marilou Awiakta.
Marilou Awiakta’s work was featured in one of my first “Author Spotlight” posts, but writing a book or three might be more fitting! Her friendship with Radford University is celebrated with a display by the Archives in McConnell Library. Visitors are welcome to check out the display. However, iif the drive is too long, the searchable digital collection includes interviews and readings with her from 1984, 1990, and 2007. Now that’s a lifetime friendship.
Here is my first post about Marilou Awiakta. And here are search results from some of the online gems from Radford University’s archives. (A broadside of her poem “Selu,’” namesake of the Selu Conservancy at Radford University, is included.)
This spotlight celebrates a long-time friend of writers, teachers, and students throughout the region. The work of Marilou Awiakta, an author of rich Cherokee and Appalachian heritage, remains relevant. Her messages of respect–for the environment, for others, and for oneself–are vital, necessary, and hopeful.
Awiakta’s 1978 book, Abiding Appalachia: Where Mountain and Atom Meet, includes themes she will explore throughout her life. As a child, Awiakta truly lived on “the atomic frontier”: Oak Ridge, Tennessee, a town dedicated to developing the atomic bomb.
Copies of Selu and Abiding Appalachia
Abiding Appalachia illuminates a childhood full of science and secrets. These wonders are braided with reflections on heritage, Cherokee belief and history . . . From “Cemetery Folks” to “Star Vision,” from lucid prose to rhythmic poetry, Awiakta braids these elements into a cohesive whole.
This hybrid form appears again in Selu: Seeking the Corn Mother’s Wisdom. Little Deer, the “small white chief of the deer,” fills Abiding Appalachia with his luminous energy. (He’s the deer leaping through the whirling atom on the cover,) In Selu appears the powerful figure of the Corn Mother, guide and provider. Both Little Deer and Selu teach, in their own ways, the importance of respect: respect for the providers, for the natural world, for family, and for the stories that teach and unite.
Awiakta frequently visits Virginia, presenting and reading at the Highlander Literary Festival and leading workshops for the Highland Summer Conference.
“Shawl sisters”: Jo Ann Aust Asbury with Marilou Awiakta in Radford
Her interviews and readings are online in the Radford University Digital Collection. (Hearing her–and reciting and even dancing with her–makes a special experience!)
Today Awiakta’s work is being introduced to new audiences. Her alma mater, the University of Tennessee, celebrated her work in a virtual event now accessible online. She donated her papers to the Betsey B. Creekmore Special Collections and University Archives, ensuring that future students and writers will experience her work in new ways.
Recently USA Today selected Awiakta for their Women of the Century list. Joining other Tennesseeans such as Maxine Smith and Dolly Parton, Awiakta is celebrated as an “award-winning writer” who draws “the curtain back on this turning point in U.S. and world history.”
Awiakta’s life is intimately connected with the birth of the atomic age, her recovery of her Cherokee heritage, and the immediate need for protecting the environment. She truly is a woman of the century, and her work points our way to the future.
Marilou Awiakta’s “Three-Times Vision”
Understanding rarely comes with the first quick glance. For deeper understanding, Awiakta says some Cherokee believe in looking at something three times:
Look once with the left eye,
then once with the right eye,
then once from the corner of your eye to discern the spirit.
The first glance and the second glance get “the actual, the tangible clearly in mind,” while the third look involves both sense and spirit. The deeper understanding, Awiakta says, requires patience and stillness, a readiness to see from multiple perspectives.
The writing exercise below is one version of a favorite prompt Awiakta used at Radford University. Try filling in the blanks, and you will have three different perspectives of a vivid memory. Put yourself in that special memory, and then answer the following.
I hear . . .
I feel . . .
I remember . . .
Bonus: A Little Advice from Awiakta
Below are just a few notes from Awiakta’s writing workshops. While this advice was originally intended for poets, all writers can benefit, especially from #4. The theme of “respect” runs through all of Awiakta’s work, so respect your work, respect yourself, and respect your readers, too.
Cut adverbs. Words that end with “-ly” can destroy the rhythm of a poem.
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